Showing posts with label The Spiders From Mars. Show all posts
Showing posts with label The Spiders From Mars. Show all posts

2022-06-16

DAVID BOWIE - THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS @ 50

Celebrating a half century since landing on the planet Earth, David Bowie’s breakthrough LP, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, was released 50 years ago today, on June 16th, 1972. Bowie’s fifth studio album would prove to be the one which finally broke through on the charts and launched his career into the stratosphere.

Bowie had been slogging away in relative obscurity since the mid 1960s, releasing his first album in 1967 and gradually navigating his career towards a position which would ultimately set him apart from his peers. He’d do so by creating a distinctive character which transcended the mundane boundaries of mere pop stardom and cast him in the role of a mythological alien-savior. While his previous incarnations had tried to exploit his “freak” potential, the idea of creating a fictional alter-ego was the key to putting him in a context which maximized his eccentricity while making it more palatable by virtue of its other-worldliness.

Before Ziggy, he blurred the lines of gender on his previous effort, Hunky Dory, where he lounged in his long hair and gown like Lauren Bacall or Greta Garbo. That sort of gender-bending ultimately had limited appeal and the album flopped on the charts despite good reviews. Part of the problem was that it was recorded with new label RCA when they’d already got wind that he was planning a major image overhaul, so the label stalled on their promotion in anticipation of his transformation. Hunky Dory & Ziggy are musically extremely closely linked. The songs were all written at the same time, the musicians are mostly the same on both albums and they were recorded nearly consecutively with only a brief gap between them. But by the time Ziggy was ready to release, the label were finally ready to commit to Bowie’s new concept and appearance and they were prepared to promoting him with some vim and vigor.

Even though Hunky Dory and Ziggy were closely aligned musically, Ziggy had something else going on that wasn’t developed on the previous record. It was this conception of an alien being coming to Earth in an attempting to save it as the planet was facing an apocalyptic near future, only to become corrupted by fame. This worked to envelop the project in a coherent narrative. This was further reinforced by the look and sound of the band, which took the glam-rock glitz of Marc Bolan and cast it as extraterrestrial chic. The character of Ziggy Stardust also borrowed from Bowie’s American friends and inspirations, Iggy Pop & Lou Reed. He managed to fuse elements of all of them and more into his characterization and it worked brilliantly to help shroud Bowie with a stature and mystique that effectively made him seem like a superstar even before the fans had picked up on his presence.

Once the album hit the shops, it wasn’t long before it started to gain momentum with its traction largely increased once the band made a pivotal appearance on BBC’s Top of the Pops. It was one of those historic moments when any kid with a TV and latent aspirations of rock stardom was gonna find a fire lit in their soul once they saw Bowie confidently strutting his stuff in front of the camera. One can imagine little Sid Vicious, Peter Murphy, Gary Numan, Bono and dozens of other future stars glued to their sets and feeling the switch get flipped that would propel them into the careers they’d have in a few short years thanks to having seen the Starman on their TV.

Since its release, it’s become recognized as one of Bowie’s most influential and significant works. Not only did it set him up for future success, it retroactively pulled a lot of his back catalogue out of obscurity, foisting albums like Hunky Dory and singles like Space Oddity into hit status as well. And while a lesser artist would’ve become trapped in the Ziggy persona, Bowie quickly transitioned to other characters in order to establish his chameleon like nature as a trademark, setting fan expectations to be prepared for his wild and frequent shifts. In many respects, it remains his most iconic work and a starting point for many when beginning the journey of exploring his career.

Personally, his success at this stage also came at a cost and signaled the beginning of his own private decline into drug abuse, something he’d ultimately have to overcome within a few years, but fortunately for him and his fans, he managed to pull out of that spiral. In a way, he lived the life of Ziggy maybe a bit too closely, so it makes sense he’d want to change out of that wardrobe and try on another suit quick enough.

2021-12-17

DAVID BOWIE - HUNKY DORY @ 50


December 17th marks the 50th anniversary of the release of David Bowie’s fourth studio album, Hunky Dory, which was issued this day in 1971. While his previous album had not quite “Sold the World”, this would be where he’d put together the core of his “Spiders from Mars” and set the stage for the music revolution he’d lead with its follow-up.

After the somewhat lackluster reception of The Man Who Sold the World, upon returning from a US tour to promote that album, Bowie sequestered himself in his home, eschewing touring and studio time for the moment, and planted himself at his piano in order to start composing songs for his next album. Shifting his writing process off the guitar sent him veering away from the more hard-rock styling of his last album and into a more “pop”, melodic sound. When it came time to start assembling his band for the new album, he managed to bring back guitarist Mick Ronson and drummer Mick Woodmansey, despite some creative fallout after the previous album, but bassist Tony Visconti was replaced by Trevor Bolder to create the core ensemble which would become known as The Spiders from Mars.

Inspired by his trip the the US, Bowie came up with a number of songs that paid tribute to some of the personalities he’d become enamored with over there. These included Andy Warhol, Lou Reed and Bob Dylan, all of whom found themselves immortalize in song on the new album. Moreover, Bowie’s agenda for this album was freed from the influence of the demands of record companies and their executives insisting he pursue some vision of success which was outside his own agenda. For this album, he only sought to satisfy himself and it’s one of the main reasons it is looked back upon as a turning point in his career and the moment when he fully began to cut his own path through the popular music landscape. While most artists of the time were looking to revisit the past after the wild experimentation of the late ‘60s, Bowie was keen to discover new musical lands to inhabit.

While it met with immediate critical praise upon its release, commercially, it stalled and failed to chart prior to the release of the Ziggy Stardust album in 1972. Part of the problem when it came to sales for Hunky Dory was down to Bowie's new label, RCA Records, pulling back on promoting it when they got wind that he was about to change his image AGAIN for the Ziggy album, which was already being recorded. It gave them cold feet and caused them to pull their support for Hunky Dory until they saw where he was going. However, once Ziggy took off, the backlash of success ended up sweeping Hunky Dory off the scrap heap and pushed it up the charts as well where it eventually peaked at #3 in the UK.

For many Bowie aficionados, Hunky Dory is the turning point in Bowie’s career where his artistic vision and abilities finally came into complete focus at their full potential. It’s the album which put all the pieces in place to set the stage for his success on his next album. While on it’s own, it wasn’t the spark that lit the fire, it provided the additional fuel to help reinforce his trajectory once that flame was ignited. The album is loaded with songs that have become classics in Bowie’s canon of essential works. Changes, Oh! You Pretty Things, Life On Mars, Andy Warhol & Queen Bitch all attest to his ability to craft solid, inventive pop music that has stood the test of time for half a century.