2024-07-03

NICK DRAKE - FIVE LEAVES LEFT @ 55

 

Released on July 3rd, 1969, the debut LP from Nick Drake, Five Leaves Left, turns 55 years old today. While initially met with critical and commercial ambivalence, in the wake of his tragic death only five years after its release, its status has become elevated over the past half century into being recognized as one of the greatest folk rock creations of the era.

Drake suffered from depression and anxiety, which manifested in the deep melancholy of his music, with his recordings affecting a much more introspective and haunted incarnation of Donovan. His singing style, to my ears at least, contains that same kind of wispy delicacy, though his lyrics turn into existential insecurities, as opposed to hippy idealism. It's the kind of morose introspection that, a decade later, would find a welcome home in the post-punk-turned-Goth malaise of performers like Robert Smith of The Cure.

The album was produced largely via fully live performances with no overdubs. Drake would set himself up in the middle of the studio where he'd perform his vocals and acoustic guitar while being surrounded by the other musicians in a semicircle formation, utilizing the studio's tiered layout to create unique acoustic environments through the positioning of players on different levels. The title of the album is a reference to a particular brand of cigarette rolling papers, which had the message "five leaves left" stamped on the appropriate paper near the end of the pack.

Upon its release, it received mostly lacklustre commentary from the critics of the day. Disc and Music Echo described the album as "interesting" and said, "His guitar work is soft, gentle and tuneful; his voice highly attractive, husky and bluesy—but his songs uncertain and indirect." It concluded, "It's more a restful album than a stimulating one." Perhaps the subtlety of Drake's style simply failed to make an impact at the time, but age has revealed its true depth and passion, allowing the emotional complexity of his songs to grow and find the appreciation they rightly deserve.

Drake's career would prove to be sadly short, with the artist only releasing two more LPs before withdrawing from performing and recording after the third in 1972. He retreated from the music business to his parent's home in rural Warwickshire, where he was eventually found dead of an overdose of antidepressants on November 25, 1974. He was only 26 years old. While his career was active, he gathered only limited attention from music collectors, remaining an obscure, mostly forgotten artist through the remainder of the decade, but that all started to change with the release of a retrospective compilation in 1979. Since then, he's received many accolades for his work, with his catalogue receiving numerous reissues and critical reappraisals.

I only discovered these works in the early 2000s as I was on the lookout for unfamiliar music from the late 1960s. Once I heard these albums, I couldn't believed I'd never encountered this music before. Since then, Nick Drake's music has become a go-to whenever I'm looking for something to put me in an introspective, plaintive mood.

PARLIAMENT - UP FOR THE DOWN STROKE @ 50

 

Celebrating its golden jubilee at 50 years old is the sophomore album from George Clinton's Parliament, Up for the Down Stroke, which was released on July 3rd, 1974. While the band had released a debut LP in 1970, Osmium, classic Parliament really begins with this album, which was their first release on Neil Bogart's freshly minted Casablanca Records. Along with KISS, Parliament would help bring that label to unprecedented heights of success in the later half of the decade, with Parliament's massive stage show positioning them as the black music equivalent of their makeup masked heavy metal peers on that label.

The album's title track was released as a single and helped begin the group's rise to stardom, remaining one of the most iconic and recognizable tunes from the entire P-Funk discography. The album also proved to be a pivotal reunion with bass master, Bootsy Collins, who'd taken a two year hiatus away from the P-Funk collective prior to recording this album. His return to the fold would solidify his position in the group and he would remain an integral contributor throughout the band's entire residency with Casablanca. Parliament would run their career in tandem with Funkadelic, along with numerous other side projects, throughout the decade, building a massive P-funk network of performers and products.