Released
on February 27th, 1984, the debut eponymous LP from Dead Can Dance is
turning 40 years old today. Though its style is less representative of
the direction their music would take on subsequent releases, the essence
of their style was coming into bloom.
The group began life in
Melbourne, Australia in 1981, initially taking shape as a fairly
conventional four piece band, complete with bass, drums and guitars.
The group migrated to the UK in May of 1982 and, once settled, managed
to secure a contract with 4AD Records, who were just beginning to
establish themselves with Gothic "dream pop" bands like Cocteau Twins, a
sound that was very much in line with Dead Can Dance's initial
manifestation.
The musicians who performed on the album were
Brendan Perry (vocals & guitar), Lisa Gerrard (vocals &
percussion), Paul Erikson (bass), Peter Ulrich (drums & percussion),
James Pinker and Scott Roger. The most exotic instrument used was
Lisa's yangqin, which is a Chinese stringed instrument similar to a
hammer dulcimer. Though the group were labelled "Goth" by the press
based on the perception that they were preoccupied with macabre themes,
the label was denied by the band, who had conceived of their name as a
far more positive symbol of bringing life to the inanimate, infusing
their work with an energy of renewal. This, however, didn't stop
critics from labelling their debut "as goth as it gets."
After
their debut, the group would pair down to the core duo of Perry &
Gerrard, with any additional instrumental duties the duo weren't able to
perform themselves being provided by session players and guests. Their
sound would also move away from any vestigial connections to "rock"
music, incorporating elements of classical, folk and a variety of world
music influences to create their distinctive, evocative sounds.
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