Recorded 50 years ago (May, 1970), The Stooges sophomore LP was not my introduction to Iggy Pop, but it was the album that got me to turn my gaze to the past for challenging music and not just look forward. I'd read about Iggy and his antics in various music magazines like CREEM and Hit Parader a couple of years before I bought any of his records, but it was his 1979 appearance on The Midnight Special that got me ready to pull out my wallet in a record store. I think it was the episode hosted and curated by The Cars where they played two of his latest promo videos for his recently released New Values LP. Both Five Foot One and I'm Bored were aired that night and that was all I needed to become a fan of Mr. Pop.
At the time I bought New Values, my attention and interests were firmly forward facing in terms of looking for new music. I wasn't at all interested in what had come before. The zeitgeist of the times, with "punk" and "new wave", was to blast away the past and focus on the future. That said, when I kept reading references to The Stooges and how they were the "first punk band", my obsessive collector nature kicked in and I decided to roll back the clock 9 years and dip my toe in with The Stooges second album, Fun House. I decided to start there because I wasn't quite ready to abandon the current decade and step into the 1960s with their debut, though that would come to my collection soon enough.
Fun House appealed to me, at least superficially, thanks to the insane looking album cover. Iggy looked like he was on a slide, heading into the bowels of hell. The fiery color pallet and posterized graphic style gave the album a look of intensity and the contents didn't disappoint. Within its grooves was a kind of raw rock & roll which was nastier than any heavy metal, and sleazier than what I'd found to that point within the punk/new wave sphere. This was pretty scary music made by disreputable people who probably did questionable things in seedy places. Definitely not the kind of fellows the parents would invite over for dinner. It was stripped down and bare and edgy and way ahead of its time. It also took chances, like the manic finale freak-out of LA Blues, a song that felt like it left your turntable in ruins.
Once I heard this music, my mind was opened up to the reality that challenging music wasn't only happening in the present, but that there were precedents for it in the past and that it was worthwhile for me to turn at least some of my attention in that direction and understand some of the roots of the music with which I was obsessed. From this vantage point, bands like The Velvet Underground, CAN, Silver Apples and many others became fair game for exploration and helped expand my understanding of the way the past influenced the present. It helped me understand that these new bands I was falling in love with were standing atop some pretty impressive shoulders and those needed to be appreciated as well.
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